Ruskin on the Campanile of Giotto at FlorenceIn
The Seven Lamps of Architecture (1849), Ruskin provides a list of 'noble characters' that satisfy the 'conditions of Power and Beauty', which are 'the grounds of the deepest impressions with which architecture could affect the human mind' (
Works, 8, p. 187). Although these characteristics might be found 'more or less in different buildings', they existed 'all together, and in their highest possible relative degrees [...] only in one building in the world, the Campanile of Giotto at Florence.' (
Works , 8, p. 188).
Recollecting the disappointment of his first visit to Florence, Ruskin suggests that 'In its first appeal to the stranger's eye there is something unpleasing; a mingling, as it seems to him, of over severity with over minuteness.' (
Works , 8, p. 188). To this problem he proposes the solution of patience: 'But let him give it time, as he should to all other consummate art'.